Monday, 18 February 2019

Nightflyers Review - Book to Big Screen to Small Screen


Nightflyers Review

Book to Big Screen to Small Screen


Nightflyers has had a special place in my heart since I first saw the 1987 movie some time in the 90s. It has spaceships and telepaths and telekinetics, so it hits many, many of my buttons where content is concerned. It also has Michael Praed as Royd Eris and Micheal Des Barres as Jon Winderman - 2 of my favourite 80s actors.

For many years I had no idea it was based on a novella, but when Game of Thrones came out and everyone was talking about George R.R. Martin I discovered it. Once again I enjoyed it, although not as much as the somewhat campy 80s film.

So when I heard that it was being remade for TV I was somewhat hesitant, especially given how I really don't like Game of Thrones. Hence, when it hit Netflix I didn't leap in immediately. However, I have to say that, mostly, my fears were unwarranted. Rob and I sat down to watch it and mainlined the first eight eps in one sitting, then went back for the final 2 last night.

The General Plot


The underlying plot of the story, and hence all 3 versions is, a group of explorers and scientists are investigating a space going entity called the Volcryn. Among their number is a powerful, slightly unstable telepath, who is supposed to help contact the entity if and when they find it. The ship is called the Nightflyer and her captain is a man named Roy(d) Eris who is very cagey about himself and his ship. The coordinator for the expedition is a genetically enhanced woman, and the scientist in charge is a man called D'Brannin. Things on the ship start going wrong and people start dying (what else would you expect from George R.R. Martin?).

The Novella


When it comes to the novella, I have to admit, I don't remember a huge amount of the details, I just remember it being close enough to the film to be satisfying, but different enough to be interesting, and that it ends with less finality. It's worth a read, but it did not stick in my brain. Hence this is about all I will be saying about it.

The 1987 Film


The 80s film is where my love of this franchise came from.

This is more of a grunge sci-fi than a shiny sci-fi, along the line of looking like Blade Runner rather than Star Trek. The Nightflyer is dark and industrial looking, except for the main lounge, and Royd appears as a somewhat scratchy hologram.

Michael Praed plays Royd, with his long 80s hair and dashing looks.

He's all mysterious and reserved, and fascinated by Miranda (Catherine Mary Stewart) the project coordinator.
The whole film is very, very 80s. Just look at Miranda (right) - can you get more 80s than mullet, shoulder pads and mirrored shades?

She is also the definition of "strong female character" as far as the 80s was concerned, in that she is stoic, strong, very, very fit and also a little bit mysterious.
And then there is Michael Des Barres as Jon Winderman, the unstable, often drunk telepath, who really doesn't seem to like anybody very much. As ever Michael Des Barres can be relied upon to be great as the character you know is going to go off the rails and be trouble at some point.

I always know I am going to enjoy a film if Michael Des Barres is in it, if not for just him.

Nightflyers is a movie that is going for dark and gritty and misses and ends up somewhere on the campy side. I love it, but it's definitely not high cinema. The characters are all somewhat stereotypes, but the actors seem to really enjoy themselves playing them, which comes across on the screen.

The plot moves fast, keeps us involved and entertained, and has enough gore and action to be exciting. It is sci-fi with a side of fantasy, because it pushes the whole telekinetic and telepathic parts a little too far too be scientific.

It is very much a movie that fit 80s sci-fi and, hence, I was somewhat confused as to how it could be remade thirty years later, let alone turned into a series.

The Series


As you can imagine the series differs from both the movie and the novella in some very significant ways, since it is basically going from a short tale format, to a longer story idea.

First big difference is the much bigger cast.

In the novella and the movie the Nightflyer is a ship with only one crew member: the captain, and the rest is run by computer.

In the series the ship has a whole crew, which gives the main cast so much more to play off of.

Roy Eris - Melantha Jhirl
Second difference from the movie - more diverse cast. Yay!

Third difference, it feels very much an ensemble cast with no one character being the main player. Different characters are important for different reasons. D'Branin is the impetuous behind the search for the Volcryn. Lommie is the somewhat naive heart of the team. Melantha is the strong, unshakeable team lead (to begin with at least). Roy is the mysterious, possibly dangerous captain. Rowan is the cynical but caring friend to D'Brainin. Etc, etc.

Roy Eris - Thale - Dr Agatha Matheson
Not gonna lie, my favourite character is Thale, the L1 telepath, and I very much like the conflict they introduced by making him quite so incompatible with other human beings at the beginning. It creates great conflict around him.

The work-around for this and how they move forward with his character is also beautifully done.

D'Branin, Rowan, Melantha, Auggie, Lommie
The whole look of the show is somewhere between shiny sci-fi and gritty sci-fi. This is not a ship that runs completely smoothly and is spotless like the Enterprise, but neither is is industrial grunge like many darker 80s efforts. It feels to me like someone took parts of the Nostromo from Alien and melded it with parts of the Enterprise and threw in some bits of a star destroyer for good measure.

There are habitat domes that remind me of Silent Running, a robot spider thing that makes me flash back to Tom Selleck's Runaway, and jacking into computers that starts off making me think cyberpunk, but moves a bit beyond that later on.

The ensemble cast means that the plot is never slow or boring, and all the characters have a development path that makes them more interesting. They are all very much not 2D.

Along the way there were a couple of eps that I found did not make a lot of sense in the scheme of things. It's the fact that there does not seem to be a why about them. I don't want to add spoilers to the main review, so I won't say what they were about, but there were two that stuck out as not like the others. One of them seemed to have nothing carried forward, and the other did have some consequences, but the reasons behind the plot of the ep just didn't hang together.

The ending was also a bit of a let down. It's clear they're going for a continuation, which left the end of this season not quite as exciting as the rest of it. Given that George R.R. Martin's name is associated with it, I will say, more people survived than I thought would ;).

There is one bit in the last ep that made me go "Seriously!" very loudly at the screen. I can't help wondering if it was a nod to Game of Thrones, but I also can't say anymore because that would be spoilers. If you see it, you'll know what I'm talking about.

Mostly I found it a very cohesive and well plotted season. Please tell me it has been renewed because it's ends on one hell of a cliff hanger and I want more.

One last thing: it made me so happy to see Josette Simon in Nightflyers because I got all sorts of Blake's 7 feelings seeing her in sci-fi again - I only ever seem to catch her in police procedurals. Mostly I kept thinking, ooh Dayna is playing Servalan :).

Have you seen the movie or the series, or read the book? What did you think?
~*~
become an Ally, Friend, Companion or Confidant for lots of exciting, exclusive content.

Wednesday, 13 February 2019

Fun fun fun! Re-Editing eBooks for 2019

Image of lined paper with 3 tablets showing eBook covers, with "Writerly Wednesdays" "eBook Editing" and "Fun, Fun, Fun!" over the top.

Fun fun fun! Re-Editing eBooks for 2019

It's time for some spring cleaning! As well as writing a new novel, adding to another novella to turn it into a novel, and writing my Open Novella Contest entry for 2019, I had a brainwave and decided it was time to go back and take a look at all my currently published eBooks.

First thing I did was create a spreadsheet and check when each of them had last been updated.
Some of them haven't been touched since 2011!
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Boy is their back-matter going to be out of date if nothing else.

I also discovered several that never made it to Google books, ever. Not that's it's overly surprising, I never sell anything over there anyway, it's just I'm a completist and like to have all my bases covered.

So I have three check boxes on my spreadsheet:
  • needs a new cover
  • needs reformatting
  • needs new back-matter
Let's just say, I have my work cut out for me. I was hoping for more with ticks just in the back-matter col, but there are quite a few that need reformatting too.
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I've decided to go with Kindle Create as a standard start, because it converts easily for Google and it's easy enough to apply a different template for Smashwords to take out anything their converter can't cope with.

FYI - if you, like me, decide to go from the Modern Theme in Kindle Create to Smashwords - the ePub converts fine, but the PDF does not because it doesn't know the font used for any of the page/chapter titles. I subbed in Verdana.

Had lots of fun (can you hear my sarcasm) yesterday, converting Cat's Call to the new Kindle Create format. It is really useful, but it has bugs. Usually I can find a way round them, but not this time. I added numbering to the chapter titles and it screwed up the formatting of my table of contents. No matter what I did I could not make it consistent, even in when it messed up.

I can only assume it's adding in things I can't see, because it has some background processes running, since it's a plugin. If it didn't save a huge amount of time I'd go back to doing it manually so I know exactly what was going on when. Had to number the chapters manually so it would work - which is so against my instincts!
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Anyway, so that's what I'm up to at the moment.
What are you up to? Anything fun?

Monday, 11 February 2019

New Public Patreon Blog Post


New Public Patreon Blog Post

I have a new blog post up at Patreon:


This is a public post for everyone to enjoy, patrons and casual surfers alike, and is all about the start of writing my new novel.

I'm having a lot of fun documenting how I am going about writing the new novel and will be sharing lots of juicy details and exciting previews on my Patreon. Some of it will be public, some patrons only, and there will be patrons only podcasts to go with each one as well.

It was very frustrating last week because I was all ready to go on the first podcast, but I needed to record one more little thing and I had no voice. This cold made me sound like a tenor or high and squeaky mouse! While amusing this was not conducive to recording anything sensible. ðŸ˜‚

My voice still isn't top notch, but I hope it will improve soon.


Friday, 1 February 2019

My Patreon is live! & Free Fiction Friday


My Patreon is Finally Live!


So after all my posts about the trials and tribulations of setting up my Patreon, it is finally live. I have pushed the go button.


I have my about section, my tiers and my intro vid all done and they are now there for the world to see.

It was very nerve wracking hitting launch, but I managed to make myself do it.

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This is worse than publishing my first book - I feel like my child has just gone on stage or something!

Anyway, please go check out my Patreon - LMK what you think.
There are lots of options and thank you in advance for any pledges. 

~*~

Free Fiction Friday


It's that time of the month again as well - no, I'm not about to go all furry and grow fangs and howl at the moon, I mean it's Free Fiction Friday.
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If you would like to know the password, simply sign up to our Newsletter:

Wittegen Press Newsletter Signup Form
No spam and your details will never be shared.


by Natasha Duncan-Drake
Genre: epic fantasy
Length: 8.8k words
Description:
Timon's home suffers under the rule of the magical, despotic Queen and her son, the Dark Prince. But Timon has power of his own and an unusual advantage: he looks almost identical to the prince. He and his friends have plans to use this and end the tyranny under which they all endure.

Wednesday, 30 January 2019

The Dreaded Intro Video #JoysOfPatreon #4


The Dreaded Intro Video 

The Joys Of Patreon #4


Firstly, I must apologise - this should have been up last week, but my kitty Amber was not very well and having to take her to the vet and make sure she was okay put everything back a bit. I didn't get to trying out making my intro vid until this past weekend. She is right as rain now thank you, just in case you were wondering.

So the intro video for Patreon - ah the horror. Now, don't worry, if you don't have anything to make one, or other reasons for not having one, they are not compulsory. In fact many accounts don't have them. They are, however, something that Patreon believe can help us turn visitors into patrons and I'll take every leg up I can get. Having a nose round Patreon some people even use book trailers as their intro vid - which makes sense for us writers.

In my case I wanted to do a bit more and I am very lucky in that:
  • Rob's (my husband) work, Cammegh ltd, were kind enough to lend me a very nice camera to make the recording
  • I have access to Adobe Premier Pro to edit it.
However,  for those that don't there are plenty of options:
  • it is possible to record pretty decent video on most phones these days, or on web cams, 
  • and there are plenty of free alternatives to Adobe Premier - this is a great article all about what is out there: 10 Free Alternatives to Adobe Premiere by Azulia Designs
Now this post is not going to be about the in and outs of editing a vid and making it ready for the web - there are loads of tutorials for that on YouTube and other sites, which are much more knowledgeable than I about such things. 
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What I mean to do here is take about content.

Length

The first thing to consider when planning the video is length. Over the years there has been much research done on this subject and there are great minds who reckon we have about 1m to grab our audience, and 1m30s before most will click away. 
This is not a lot of time.
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So what we definitely do not want to do is waffle. We need to get as much in as concisely as possible

This means preparing our thoughts in advance.

1. Make a List


So I had everything planned out in my head. I had been thinking about what I wanted to say for days, and then I turned the camera on and went "um" a lot.

First tip - unless we have a very good memory we should write a list of what we want to say.

The great thing about video is we can edit it. We can stop, check our list and move on to our next point.
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2. Do Not Be Afraid to Redo


As I pointed out above, video is great because we can edit. If something doesn't feel right we can record it again, and again, and again. So we should not be afraid to make mistakes and try out different things.
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I felt silly to begin with, but then I stopped being self-conscious and got into it.

3. Don't Say Important Things When Glancing Down at the List


I know this sounds obvious - but when I recorded my test vid I found that I kept doing it. We have to train ourselves to stay focused on the camera while we are talking. It's actually harder than it sounds.

Our list is really useful to help us to know where we wanted to go, but it can also be a crutch that distracts us from what we are doing. We can look down, but we need to only do it when we have finished the thought we are elucidating to the camera at the time.

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4. Structure


Now I have no magic formula to make people instantly become patrons, but I figured the content should be similar to the about section:
  1. Welcome
    1. hi, hello, welcome, wilkommen, greetings, felicitations etc
    2. my name is/ I am ...
    3. welcome to my Patreon
    4. thank you for stopping by
  2. This is who I am and what I do (with a little bit of why maybe)
  3. This is why I have set up my Patreon, how it works, and what I would like to give my patrons
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5. Be Personable


Yes, I know, sometimes all we want to do is hide behind our keyboards and type - we're writers after all, but for this we need to be personable.

I went for cheerful and a little wacky, but depending on the subject matter of our Patreon different things may be appropriate. What we have to remember is we are selling ourselves, we want people to be intrigued and like us, and give us their money. I'm also really hoping to get closer to people interested in my books and, on the whole, I am usually cheerful and just a little silly sometimes, hence my choices.
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6. Add Closed Captions if Possible


We want our video to be as accessible as possible, so add closed captions if possible. Youtube has an editor for doing this, and there are other free options out there too. This is a good link to help you get started: The Best Free Captioning Tools by ai-media

In Conclusion


In the end this vid is our own individual representation of what we want to show the world. It can be anything from a quick chat recorded on our phone to a studio recorded masterpiece, or an animation, or a montage or anything else we can think of.

This is about grabbing attention and doing our very best to keep it.

If you are having a go too, I wish you the best of luck. Once I have my vid finalised I will be launching my Patreon, I am so excited. I'm already sure that I'm going to want to do another vid at some point, but I am pleased with my initial efforts :D.

Edit: Wondeful site for royalty free music: 

incompetech.com - Kevin MacLeod makes great music for vids and you can buy a licence or give credit under creative commons.

Wednesday, 16 January 2019

Tiers - It Should be Tears! #JoysOfPatreon #3


Tiers - It Should be Tears!

The Joys of Patreon #3

The about section was bad, but, oh my, the tiers were more daunting. This is where we have to decide what we do and what our fans might actually like.

On Patreon we can reward our patrons at differing levels depending on how much they pledge to us - these are called tiers.

There are 2 business models:

  • per creation - patrons pay per product we produce - a bit like a kickstarter
  • subscription - patrons pay monthly
I decided on the subscription model, since that is the way I work, so this post is all about that ideal.
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Advice No 1:
Read the Best Practices and examples given by Patreon themselves - they know what they are talking about. These are to be found on the Tiers tab of the page editor.

Advice No 2:
Go look at other Patreon users and see what has worked for them.
First thing to consider is sustainability. Whatever we add to our tiers we must be able to produce and continue to produce to satisfy our obligations to our patrons - unfortunately we are not Leonardo Da Vinci and we cannot abandon projects just because we feel like it. So basically we should not add in anything we might not be able to produce.

What is really good is Patreon has a benefits system where we can add in each benefit and then it will track it for us. Benefits can either be one offs at signup or monthly, and it will show us who is in line for which benefit. This means we should never lose track of who has had what when.

Some of the things we are looking for are exclusive content, some is value added content, both of which should appeal to fans. What we have to remember about Patreon is that we are not going to be able to grab everyone who likes our product, be it books, fine art, illustrations, comics etc. The people who sign up are more than that, they are fans who wish to support us in our endeavours to succeed at what we are doing.

Exclusive Content

Exclusive content are, simply put, things that cannot be obtained from anywhere else. For example:

  • Blog posts only available on Patreon
  • Videos or podcasts linked nowhere else
  • Cat pictures (seriously - the internet loves cat pictures, or pictures of any pet)
  • Short stories, new art etc

Value Added Content

Value added content are things that may or may not be exclusive forever, but are special to our patrons:
  • Voting rights on content, e.g. authors can ask for input on character names or which cover to choose etc
  • Previews of work, e.g. draft chapters before release
  • Money off products
  • Shout-out on social media or within our work - e.g. in-book thanks, or thank you blog posts etc.
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The Method In My Madness

This is how I went about this:
  1. Read all of Patreon's advice and checked out other authors.
  2. Sat down and wrote a long list of everything I thought might interest fans.
  3. Crossed out everything that I did not think I could produce regularly enough (but kept the notes to revisit in the future - we don't have to launch everything at the same time, after all this is a learning process).
  4. Ranked all the content on how valuable I thought it would be to people.

Creating the Tiers

Right, so now we have our content sorted, we need to decide what to do with it. 

There are several things to decide:
  1. How many tiers we are going to have
  2. What to call each tier
  3. The price of each tier
  4. What to put in each tier 

1. How Many Tiers

Some people only have one tier, some people have many, Patreon recommends somewhere between 1 and 5.

1 Tier:
  • Advantage - we only have to produce one set of benefits and all our patrons get the same.
  • Disadvantage - we would have to price it higher than some of our fans would be willing or able to pay.
2-5 Tiers:
  • Advantage - we can offer varying levels of price for our fans with differing means or levels of engagement.
  • Disadvantage - we have to decide what to offer where and have enough in each tier to justify its price, which will likely be more work.
How I Decided

My thought process on this was 2 fold:
  • I knew I wanted a range of price points that needed to be 3 or 4, because I wanted a tier at the min of $1 and at least 2 above that.
  • I had my list of things to offer, so I looked at how well it would divide.
In the end I went for 4 tiers because it gave me the range I wanted and I figured if anyone wanted to give me more than my highest range, they would anyway.
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2. What to Call Each Tier

The whole point of Patreon is that we're drawing our fans closer, they are becoming our patrons. This gives us a certain relationship to them which is above that of someone who simply buys our product, or even interacts with us online as colleagues or fans. To enhance this Patreon allows us to give each tier a name.

The hard part is coming up with names that reflect how we wish to interact with our patrons and that fit our brand.

I did consider choosing something in the vampire genre for my titles, but decided that might not come across quite right, since the genres tends to use words like familiar and servant etc. Not really the tone I was after, and I don't exclusively write vampires, so I discarded the notion. In the end I went for something more neutral, but I am actually still thinking about this and may yet change my mind.
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3. Price Points

Now this is a very personal thing, for some, having prices into the hundreds could be right, especially if we've gone with the per-creation model. However, the subscription model needs a range of price points.

There are 2 main factors in what patrons are willing to pay:
  • means - some patrons have lots of money, some do not
  • investment - patrons who are highly invested in us and our product are likely to be willing to pledge more
So when setting price points we need to consider how to give good value at the lower end, but with bonuses at the higher end to encourage the investment we seek. This is a tricky balance because, of course, we want to bring in as much income as we can, after all this is our livelihood, but we do not wish to short change our fans that do not have the disposable income to give us more.

I went with a very simple structure: $1, $5, $10, $20

My reasoning was that those at one end ($1) are probably going to be either loyal fans with a low income or people who like to support artists that don't know me well enough yet. Then at the other end $20 there would be super-fans who really want to connect and support me in my writing aims.

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4. The Content

Finally the really hard bit: deciding what to offer in each tier.

Those in every tier, from $1 up, are giving us their hard earned money to support us in our endeavours and what we are offering them in return is membership of our community. Hence I believe that is important to be inclusive from the ground up.

Hence I thought of the tiers like a house and my patrons all have a key to the foundation level where I welcome them to my home, but pledging to the higher tiers gives them keys to the stairwell and the more interesting rooms above.

This made the foundation level very important and it needed to be something I could build on. I considered having levels of blog posts for different tiers, but, in the end I decided that blog posts would be my foundation.
My main assumption with this whole endeavour is that people willing to pledge and become patrons wish to know about me, my work, why I do it, and how, hence my decision about blog posts.
After that is was a matter of adding in content for each tier which added to the foundation in increments. The hardest one was the last tier - coming up with something I knew I could produce, but that would give patrons at that level just that little bit more, in essence, a little bit more of me.

I've changed my mind on what is in various tiers at least ten times already, just in case you were wondering (even made some edits while I was writing up this post), but I think I am done now ... probably ;). I'll make a big announcement when I finally launch so everyone can check out my final choices.

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What kind of thing would you add to your Patreon? 
What would you like to see in an author's Patreon to entice you in?

P.S. This post would have been much easier if I could spell tier - I keep typing it as teir, no matter what I do! Thank heavens for spellcheck. :)

Tuesday, 15 January 2019

Recipe - Sous Vide Honey Sesame Duck Breast with Rice and Sesame Broccoli



Sous Vide Honey Sesame Duck Breast with Rice and Sesame Broccoli

Ever had the problem of your duck breast going tough when you cook it? Never again with the sous vide method - it comes out perfectly every time. The searing with duck is a little bit more complicated than with chicken, but it is still really easy.

Now, there are 2 ways to go about this:
  1. quick prep, but the skin isn't going to be as crispy
  2. longer prep, with perfect crispy skin
Both give fantastic duck breast meat, so if that's all you're interested in, go with version 1, but if you love yourself a bit of duck skin, go with 2.

Serves 2

Ingredients

for the duck
  • 2 duck breasts (I use the Gressingham duck breasts from Morrisons that they have in packs of 2 on the 3 for £10 offer).
  • 1 tsp sesame oil
  • 2 tbsp honey
  • 2 tbsp soy sauce
  • 1 clove garlic (crushed - I use a tube)
for the broccoli
  • 1/2 head broccoli
  • 1 tsp sesame oil
  • 1 tsp normal oil
  • 1 clove garlic (crushed - I use a tube)
75g of Jasmine rice per person

Instructions

For the duck
  • Preheat the Anova to 57.5 °C / 135 °F
Quick prep:
  1. Place the duck breasts in a bag with all the other ingredients.
  2. Seal using the water displacement method or a vacuum sealer on moist.
More complicated prep:
  1. Score the duck skin with long even strokes - do not cut the meat and score against the grain.
  2. Sear in a med pan, skin side down for 2-3 mins until the skin it golden - no oil is required because the fat will render. Do not have the heat too high or it will burn.
  3. Place the duck in a bag with the other ingredients.
  4. Seal using the water displacement method or a vacuum sealer on moist.
Cooking:
  1. Put the duck in the water bath and set the timer for 2h
  2. When the duck is ready, remove it from the water bath and bag and pat dry - reserve the cooking liquid.
  3. In a hot, but not scorching pan, place the duck skin side down and cook until the skin is crispy.
  4. Meanwhile add the cooking liquid to a saucepan and add a little corn flour.
  5. Cook until bubbling and thickening.
  6. Allow the duck to rest for a few minutes before serving.
For the broccoli
  1. Blanch the broccoli by bring a pan of water to the boil, dropping in the florets and cooking for 3-4 mins (if you have small florets, go for 3, bigger, go for 4). Drain and leave to the side until almost ready to serve.
  2. Heat the oils for the broccoli in a small frying pan or wok and add the garlic (you could use a saucepan if you are using your only frying pan for the duck:)).
  3. Add the blanched broccoli to the garlicy oil and stir fry for a minute.
Cook the rice as indicated on the packet - usually in boiling water for about 12 mins.

Serve with the sauce drizzled over the top.

Cooking the duck sous vide with all the flavours in the bag means they really get into the meat, but the meat also stays beautifully soft and juicy.

If you prefer your duck done to a different level, here are the temps chefsteps.com recommend for different results (I haven't tried any of them):
  • 129 °F / 54 °C: Rare, with some chew
  • 135 °F / 54 °C: Tender and juicy (temp I use)
  • 144 °F / 62 °C: Totally tender, a little less juicy
  • 149 °F / 65 °C: Decidedly less juicy but still delicious
  • 158 °F / 70 °C: Cooked all the way through
Do you have any favourite duck recipes you can recommend?

Thursday, 10 January 2019

Sous Vide Chicken, Pesto and Mozzarella Roulade + Buttery Potatoes


Sous Vide Chicken, Pesto and Mozzarella Roulade + Buttery Potatoes

I made this recipe yesterday and it was delicious, so I am going to share. First let me say that I used these 2 recipes as a base, but had to do added things:
Now I have no idea if the original recipe could actually work as is, but when I used it, the potatoes just weren't cooked, so I had to add a step. The reason I think it is worth the trouble is because, boy, the flavour of the potatoes is wonderful.

Prep time: 5 mins Cooking Time: 1h20

Ingredients

  • enough salad potatoes for 2 (I did a whole bag of Morrisons' The Best salad potatoes because I intend to use the left overs in a potato salad, but just do as many as you want to eat - also in season new pots would be good).
  • 1 tbsp unsalted butter
  • 1 tbsp extra virgin olive oil
  • pinch of salt

Instructions

  1. Set the Anova to 87C or 190F - make sure to use hot water from the tap or kettle to start with because getting to this temp takes a long while otherwise
  2. Put everything in a zip-lock bag and seal using the water immersions method (or if you have a vacuum sealer, use the moist setting).
  3. Pop in the Anova for 1h (you may have to weigh them down because pots float - I used an upturned bowl). 
  4. Once the timer goes off take potatoes out of the Anova and set aside.
  5. Half an hour before serving boil a pot of water on the stove.
  6. Add the potatoes and cook until tender (anywhere from 10-20mins)
Yes it seems like a lot of work and the potatoes are boiled anyway, but seriously, the way the butter infuses with the potatoes is lovely. You could add herbs or just go with olive oil if you are looking for a different flavour profile/lighter option. Honestly, I won't be doing these often, but I wanted to try them and they would be great for a special occasion.

Sous Vide Chicken, Pesto and Mozzarella Roulade

This is delicious, and you may notice that I use a higher temp than the original recipe, this is because my husband just can't bring himself to enjoy the texture of the low-temp cooking.

Prep time: 20 mins Cooking Time: 1h15

Ingredients

  • 2 boneless, skinless chicken breasts
  • ~100g (4 tbsp ish) green pesto
  • 1 regular ball of mozzarella (~125g)

Instructions

  1. Set the Anova to 63C or 145F - if cooking straight after the pots, adding ice and cold water to the pot will help cool it down quickly.
  2. Butterfly each chicken breast and beat flat between 2 sheets of cling film (don't go too mad, but show it who's boss ;)).
  3. Spread each chicken breast with half the pesto.
  4. Thinly slice the mozzarella ball and place half of the slices over each pesto layer.
  5. Roll the chicken breast tightly and pack it in the cling film so it is easy to handle.
  6. Place each in a zip lock bag and seal using the water immersions method (or if you have a vacuum sealer, use the moist setting).
  7. Place in the water bath and set the timer for 1h15 
  8. When the timer goes off, remove from the water and carefully take each roulade out of its bag using tongs.
  9. Heat a frying pan/skillet on high on the stove.
  10. Remove the cling film from each roulade and brown in the frying pan on all sides - this only takes seconds.
  11. Serve (the chicken can be left to rest for a few minutes in a very low oven while finishing off the rest of meal).

Wednesday, 9 January 2019

The Patreon About Section #JoysOfPatreon 2

Lined background  with quotes from books over it. Title of "Writerly Wednesdays, The Joys of Patreon #2" over the top.

The Patreon About Section

The Joys of Patreon #2

So I spent all of Monday afternoon on this. Wow, it is hard.


The about section is where you sell yourself, and we all know how good at doing that we Brits are.

The first stop is Pateron's "How to Sell Your Page" in the learn more col on the edit page - which is actually titled "How to Sell Your Page in Your About Section" when you actually get there, which makes a lot more sense.

Main Ideas


The 3 main tips I took away from this page are:
  1. Make sure everyone reading knows who you are and what you're doing on Patreon, so introduce yourself properly.
  2. Don't make it sound like you are a charity case, you're asking for patrons and you are giving them value in return, this is important. The section called "Don't use needy language" is very eye opening.
  3. Keep it concise - get the message across completely, but quickly - readers have a limited attention span.

Techniques


For point #3 above I used the age old technique that comes into play with all blurbs, synopsis and descriptions:
Write long, edit short.
A huge amount of what I was doing what taking out words and phrases and whole sentences that were entirely unnecessary. Most of us writers are wordy creatures, it's in our nature, and so one thing is nearly always true: it is easier to edit out words than to force our brains not to produce them in the first place.

Hence I started with a brain dump of everything I thought prospective patrons might need to know. It was long and repetitive and full of a whole load of information that was entirely unnecessary.
For example, my intro paragraph started off at 80 words - by the time I was done, it was at 35.
Another very useful device is bullet points. Readers skip over the end of long paragraphs, but break that paragraph down into each bullet point and they are much more likely to see what you want them to. It is also another great way of spotting duplication and unnecessary information that can be cut out.

Final Format


In the end I broke the whole thing down into 4 sections:
  1. Hello, this is me (1 line of greeting, and 1 paragraph [35 wds])
  2. This is why I am here with preemptive thank you (1 paragraph [55 wds])
  3. This is what I am offering (1 section of bullet points) - this section doesn't need to be too detailed, because that's what the tiers are for (which will be a whole other post).
  4. Thank you (1 line)
I also added a footnote credit for the photos I used in my cover image, because they might be royalty free, free to use, no credit demanded photos, but they are someone's hard work and they deserve to be thanked.


One thing I always do on projects like this, just in case, is copy everything to a Google doc. We never can tell when something might go tits up and accidentally delete all our hard work, so never forget a backup.

And that's that! No doubt I will make tweaks after leaving it for a while, but I think I am almost there. I look forward to showing it to everyone when I am ready to launch. Still thinking about how to do an intro vid to go with it.

Anyone have any tips for the about section? How would you go about selling your skills?

Tuesday, 8 January 2019

A Gem of a Find in Gel Effect Nail Polish #TipsTuesdays


A Gem of a Find in Gel Effect Nail Polish


Now I know I don't usually talk about things like this on here, but this stuff is too good and so reasonably priced that I had to mention it for Tips Tuesday. I do not usually go in for nail polish because I put it on and within hours it's all chipped and never looks great anyway. Also, mostly, I can't be bothered, but my darling twin convinced me to try some of this for Christmas and I love it.

I also can't find it online, not even on B&M's website, which is the shop where we bought it. The brand is Expressions and they do all sorts of nail stuff as well as polish.

Three regular size bottles of Expressions nail polish in dark blue, purple and gold, with a smaller bottle of top coat in front and a box with a larger bottle of top coat behind.

Now this is gel effect, so no UV light needed, but it gives great coverage and shine.

Each nail polish comes with a small bottle of the top coat as shown in front in the image, but we can also buy it by itself as shown behind. They also have a nail strengthener that I use as an undercoat, which I forgot to take a picture of, and a nail growth enhancer that I have not tried.

Now I am completely incompetent when it comes to nail polish, but even I can get great results.

Four fingers of Tasha's hand with Expressions iridescent, purple nail varnish.

It goes on smoothly and the anti-chip coating is awesome. This is day 4 for this colour. Also, the photo doesn't really do it justice, the nails look iridescent and much shinier in real life. (Please ignore the blob of dark colour on the third finger - that is just my incompetence showing through where I messed up and tried to fix the edge, which, of course, didn't work ;)).

Soph says she only ever needs one coat of the colour, but she has tiny wee nails, where as mine are much larger and I need 2. However, even with an undercoat of strengthener, 2 layers of colour and the anti-chip top coat, the nails are touch-dry in 30-40 mins. Of course it's another couple of hours before they are rock hard, but that's the same with anything in layers ;). After 30-40 mins, eating and nipping to the loo etc are not a problem, as long as approached carefully.

And do you know what is the most amazing thing about these nail products? Price!
Each box of nail product costs a whopping £1.49!
So lads and lasses and anyone else who likes lovely nails and has a B&M in their vicinity - now is the time to run along and check out their range. They're in the hair and beauty aisle at the end in our B&M and they have lots of lovely colours from black to pastel pink and sparkles.

Pros:

  • Comes in a large range of lovely colours
  • So cheap, especially for gel effect - £1.49 for a normal 10ml bottle with free top coat
  • Goes on smoothly
  • Looks great

Cons

  • Very dark colours will stain nail beds if no undercoat is used
  • Can't find the brand online
Sorry US folks, I have no idea if you can get these - I Googled for the brand and literally nothing came back except another lass's blog who reviewed their stick-on fashion nails.

So has anyone else tried this brand? Can we get it anywhere else except B&M?